RIPPED TO SHREDS Release Vinyl LP Version of ‘Mai-zang’ on Night Rhythms
San Jose, CA’s one-man OSDM band RIPPED TO SHREDS are proud to announce today’s release of the limited edition vinyl LP version of debut album Mai-zang on Night Rhythms. Explosive and earnest Death Metal with old school with Swedeath/grind tones and accursed mania, the vinyl LP is limited to 150 copies (50 “bone” / 100 black) with screen printed, hand-numbered jacket and double-sided 11×11 insert.
Purchase the Mai-zang Vinyl LP
Featuring extreme multi-tasker Andrew Lee (ex-DISINCARNATION), Mai-zang was previously released through Malaysia’s Necrolatry Records (cassette) and Mexico’s Craneo Negro Records (CD). The album is also available for purchase and high volume streaming through rippedtoshredsdeathmetal.bandcamp.com/.
Reamping/mixing/mastering on Mai-zang was handled by Damian Herring (HORRENDOUS) at Subterranean Watchtower Studios. Album artwork was created by Skaðvaldur.
Mai-zang means ‘burial’ or ‘tomb’, is a reflection of the turmoil, strife, and chaos of late 19th to early 20th century China as she dealt with multiple internal uprisings and foreign invasions. From the religious purges of the Taiping Rebellion to the mass famine in the wake of the Yellow River flood, each track presents a harrowing vignette of death and horror.
The song “Jiangu,” which was performed in Mandarin, informs the themes in the cover art and tone of the album. Taiwanese people are traditionally buried sans embalming to let the flesh naturally rot away. They are exhumed years later to remove and clean the bones, which are placed in a funerary urn, and that urn then reinterred. This practice is called jiangu or “picking up bones.” Andrew’s great-grandparents were buried in this manner, but in the last 20 years population growth and space concerns prevent full coffin burial so people are cremated instead. Jiangu in the modern context refers to transferring the bone fragments left from cremation into the funerary urn. Worship of those remains is culturally important; what if during the cremation process a mistake was made and the family was handed the wrong person’s ashes and bones? “Bone Ritual” then depicts the deceased’s impotence in bringing good luck to his descendants as they pay false obeisances to the remains of a stranger. The cover art shows a traditional grave; for Han Chinese, sweeping the grave is an important annual ritual, so leaving a grave to rot as drawn is an act of supreme disrespect to one’s forebears.
RIYL: Entombed, Bolt Thrower, Terrorizer, Horrendous, Witch Vomit.
“There’s no denying Ripped To Shreds’ influences, and yet, when it comes to thematic content, Ripped To Shreds are peerless.”
“The realer the pain, the better the ripper.”
“Perfect execution, great production, and amazing musical ability. Captivating old school death metal is still alive.” 10/10.
– Capital Chaos TV
“Ripped to Shreds demonstrates a smarter and more coherent approach to writing love letters to the Swedish scene of old. Passing on this new album would be like passing on maintaining your ancestor’s burial site: it’ll only leave you haunted by shame and regret.”
– Indy Metal Vault
“Steeped in great murderous death metal majesty, Mai-zang is an unrelenting force from beginning to end.”
– Cadaver Garden
“Combining big ass chunks of Bolt Thrower and liberal heaps of Entombed, Ripped to Shreds is unapologetic OSDM worship.”
– Toilet ov Hell
“Torn, sullen, extreme.”
– Metal Na Lata
RIPPED TO SHREDS began as a collaboration between Andrew Lee on all instruments and BW of Draghkar on vocals in early 2016 to merge Bolt Thrower and Entombed in a crushing soundtrack to tales of China’s turbulent history. Early sketches of Yellow River were written in this period, but the project was put on hold with the formation of Disincarnation. After recording and releasing a demo with them, Andrew grew dissatisfied with the direction of the band and resolved to fulfill his vision of violence alone…