Formed in Copenhagen, Denmark in 2006, VOLA explore a mix of 70’s style progressive rock, electronica, industrial and metal, topped off with clear, beautiful vocal lines.
After recording early demos, they self-released two EPs, ‘Homesick Machinery’ (2008) with an early line up of Asger Mygind (vocals/guitar), Niels Dreijer (guitar/backing vocals) Martin Werner (keys), Jeppe Bloch (bass) and Niklas Scherfig (drums) and then went through some changes for 2011’s ‘Monsters’ which saw Bloch and Sherfig replaced by Nicolai Mogensen (bass) and Felix Ewert (drums).
Talking about the early releases, Mygind reflects; “On Monsters we started experimenting with 7-string guitars and more groove-driven songwriting. It worked so well on the EP that we wanted to elaborate on this for a full album.”
Mygind was in high school when he started writing songs and jamming with his friends in a rehearsal room in the basement of his parents’ house in the Copenhagen suburbs. “The collaboration grew out of a common interest in adventurous rock and weird time signatures. We’d listen to stuff like Freak Kitchen, Opeth and Porcupine Tree and tried to play their songs in order to explore what kind of sound we could create as a unit. And also because it was just a lot of fun!”
In 2015 they digitally self-released their debut album ‘Inmazes’ which was mixed by Asger Mygind himself and mastered by Jens Bogren (Opeth, Katatonia, Soilwork, Amon Amarth, Symphony X, Paradise Lost, Devin Townsend, Arch Enemy) of Fascination Street Studio. Creating ‘Inmazes’ after the two EP’s was a liberating experience for Mygind and his bandmates. “The album format of course also allows for a more voluminous story to be told in music and lyrics, which can lead to an overall more rewarding creative experience – and by that – a more rewarding listening experience.”
The album had an instant impact with rave reviews flooding in. By this time Niels Dreijer had left the band (2012) which saw them reapproach their songwriting technique. “We became one person less than on Monsters, I had to fill out more space as guitarist and singer, as Niels also played guitar and sang a lot of vocal harmonies.”
In the months following the release of the album they played their first ever festival shows at Euroblast (Germany) and ProgPower Europe (Netherlands) and the band caught the attention of Mascot Label Group (Flying Colors, Black Stone Cherry, Monster Truck, Von Hertzen Brothers, Ayreon) who re-released the album physically and digitally throughout the world.
Upon its release ‘Inmazes’ was met with a wave of critical praise; Prog magazine lauded their “widescreen heavy stadium Prog”, Metal Hammer rejoiced in the “genre-defying, weighty riffs, gloomy, ambient soundscapes and guttural grooves” whilst the UK’s biggest daily newspaper, The Sun exclaimed their “genre-mashing” ability. The single ‘Stray The Skies’ was playlisted at both Kerrang! Radio and Scuzz TV and they ended 2017 with a nomination for the Limelight Award at the Progressive Music Awards.
At times futuristic, the music of VOLA has references to tech-prog and pop as well, their influences range from Opeth, Porcupine Tree, Devin Townsend, Soilwork, Meshuggah and Ulver to Massive Attack.
Tommy Sonne Skøtt
About Tommy Sonne Skøtt 1877 Articles
I began my writing career in the year of 2012 due to my love for the metal community, and have since moved onto a second role as the Tech-Wiz of PoM - taking good care of our website. My favourite music genres are Progressive Metal in all its different shapes and Melodic Death Metal.

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