Kai Hansen has for the past 20 years been of one the best and most
influential players in European power metal, from the very early
days of power metal in Helloween, with whom he recorded some the
most important European power metal albums of all time (Walls of
Jericho, Keeper of the Seven Keys, Part 1 & 2). When they parted
ways and Kai went on to found his own powerhouse Gamma Ray he
just continued on the same path - delivering one great album after
another...
Maybe none more complete and important than 'Land of the Free' from
1995, an album that showed a band at it's peak, they had reached the
summit, and even though the albums that followed all were at a very
high level, none of them quite managed to bring out the magic
feeling that 'Land of the Free' did. Now some twelve years later Kai
and his partners in crime have taken it upon themselves to
re-capture the magic of that album with 'Land of the Free II'.
And they have done so successfully, rekindling what once were in a
modern sounding version of Gamma Ray. This is European power
metal like it's suppose to sound like and even though they do use
old formulas and do occasionally repeat themselves, this is still
thrilling and fun to listen to... Even the brilliant cover artwork
by Herve Monjeaud is a trip down memory lane with references to the
past.
Pure and honest power metal from the waterfront of Hamburg done with
class has always been the name of the game for Kai Hansen, and just
like his old compatriots in Helloween he proves that classic
European power metal is stronger than ever and still very much
alive. In a direct comparison I'd say the new Gamma Ray album
is a small step ahead of the opponent, but both bands have strongly
underlined the fact that they are still to be counted with.
Kai Hansen has never been the best sounding nor talented vocalist,
and even though I do think he is delivering his best performance
ever vocally, I do feel at the same time that his limited vocal
range is the thing holding the band back the most. The music is
varied, powerful and well produced; they have occasionally been
listening a bit too much to Iron Maiden, but on the other hand as
one so wisely once said: "All the great metal riffs have already
been written".
Repetition to a certain degree is fine by me and Gamma Ray
manages to keep their balance on the razor sharp edge with just the
right amount of old and new input. 'Land of the Free II' should with
ease re-establish Gamma Ray as one the leaders in European
power metal. Easily the best Gamma Ray album for some time...
Good
buy!